Showing posts with label metal - black. Show all posts
Showing posts with label metal - black. Show all posts

Saturday, July 9, 2011

mysterious black metal: mamaleek - kurdaitcha (2010) & murmuüre - murmuüre (2010)


Black metal is a genre becoming more and more crowded everyday, making the effort to find acts doing something interesting and original with the sound that much harder. Recent trends like an overt shoegaze influence were astonishing when they arrived, and have now become commonplace and BORING. The problem of searching for new sounds is compounded by the fact that trying new things is always risky, and the bands out there making genuine efforts to push black metal forward don't always succeed in making something that's actually good.

Mamaleek - The Hypocrite & The Concubine by speedglueandmusic_aw
Mamaleek - My Body Rock Long Fever by speedglueandmusic_aw

Kurdaitcha is Mamaleek's third album, but it is my first encounter with them. I first heard this album a few months ago, and have been trying and failing to put into words what it sounds like ever since. They are a pair of brothers from San Francisco, but beyond that not much is known about them. It USED to be standard practice for black metal musicians to be "mysterious" and not very press-savvy, but in recent times certain black metallers have embraced press coverage with open arms (hello LITURGY), so it's actually pretty refreshing that I'm not staring at glossy photos of these dudes while writing this. It makes it a lot easier to focus on the music, which is good since this music is AWESOME. Mamaleek's approach to black metal reminds me a lot of Lifelover or Joyless, in that they incorporate many disparate and unusual styles into an overal black metal vibe. On top of the black-metal-appropriate buzzing guitars and pounding drum machine, Mamaleek incorporate sampled pan flutes, unnerving disembodied voices and other unexpected elements. These unusual ingredients are not just garnishes on top of meat-and-potatoes black metal however, as Mamaleek's music is as much industrial, noise and shoegaze as it is black metal. I know I mentioned earlier that I thought shoegaze and black metal was a played-out combination, but it's done here in a less clumsy and more original way, so I don't feel like I'm listening to some trend-hoppers. In fact, despite the reckless mish-mash of genres happening on Kurdaitcha, the album is incredibly listenable. While it might not be sufficiently grim for black metal purists, and too harsh for those not open to metal, I imagine that there is a pretty sizable group of people like me who have been starving for something new that is as WEIRD and RAD as this record is.

Murmuüre - Amethyst by speedglueandmusic_aw
Murmuüre - Disincarnate by speedglueandmusic_aw

While Kurdaitcha is an album I've been turning over for months, attempting to unlock its secrets and mysteries, Murmuüre's debut self-titled album from last year is one that I've only recently come across (despite hearing some very high praise from the always reliable aQuarius records last year). Hailing from France, Murmuüre's approach to black metal is as bizarre, adventurous and psychedelic as Mamaleek, but the end result is very different.  Murmuüre's music is more open-ended, mostly layers upon layers of thick and threatening atmosphere, only occasionally punctuated by a beat and a few howled vocals. Although not as immediately catchy as Mamaleek, Murmuüre have just as much happening on this album- it is a record both sonically busy yet also subdued.  I admit that I haven't listened to too many dark ambient records, but this is probably the most appealing approach to that idea that I've come across, and I suspect I'll be continuing to find interesting and new details the more I listen to this.

Tuesday, May 17, 2011

video: liturgy - returner




Liturgy are one of those bands that make it almost impossible to listen to the music without wondering what it all "means": in this case, the "meaning" at hand being the appropriation of outsider music (black metal) by clean-cut pretty boys in v-necks.  However, questions about intentions, appropriateness and the legitimacy of the people behind the music should always come second to the music itself.  Trying to put my reaction to concepts about black metal and indie "identities" is pretty difficult to do in this case, but I think Liturgy are doing something legitimately unique and sincere.  It may come from a sincerely stupid philosophy, but again I feel like its an important personal challenge to reconcile good or interesting music made by people I find obnoxious or repulsive.  If I can honestly appreciate Burzum without buying into his white supremacist ideology, I can certainly enjoy black metal made by poser douchebags right?  And then, there's an undeniable humor to see black metallers reacting to these guys with the same self-righteous horror with which the cultural mainstream reacts to black metal.  In the end, it wouldn't matter at all if the music wasn't any good, and here I think it is.  I have yet to hear the new Liturgy album in its entirety, and what snippets I've heard I don't feel are as good as their previous work, but I'm hoping to go in to it with an open mind at the very least.

Tuesday, March 8, 2011

horseback - the invisible mountain (2010)


Horseback
Chapel Hill, North Carolina, USA
The Invisible Mountain (Relapse, 2010)
RIYL: Grails, Om

Originally released in a limited run in 2009 on Utech, Horseback's four-song mini-album The Invisible Mountain was re-released in 2010 to wider audiences on Relapse, one of the biggest metal records in the US. You might expect that would mean that this is a metal album, and I guess if the presence of (rather subdued) scruffy black metal vocals is all it takes to make something metal, then this is. I was certainly expecting this to be metal, since I first heard about this album on Haunting the Chapel's best of 2010 list, where it broke the top 10 (besting Burzum even)! But apart from the raspy vox, this is pretty much a straight-forward neo-americana/post-rock album in the vein of Om, (modern era) Earth, Barn Owl, the soundtrack for Jonah Hex that Mastodon made, and most of all, Grails. Which isn't necessarily a bad thing- do you like those bands (and that OST)? There is a good chance that Horseback's trance-inducing basslines, mournful steel guitar, and patiently unfolding darkly Western soundscapes will appeal to you. One noteworthy aspect of this album is how natural the blend of traditional American instrumentation, post-rock structures and black metal tinges is. Horseback's sound, while not terribly groundbreaking, is definitely fully formed- when Horseback hit their stride, especially on "Tyrant Symmetry" and "The Invisible Mountain", the result is an compellingly heavy groove. And the album's final song (the vividly named "Hatecloud Dissolving into Nothing") stretches out over 16 minutes, abandoning the rhythm section in favor of slowly twisting and mutating shimmery guitars and strings, resulting in a very sorrowful and moving epic. That being said, although The Invisible Mountain is well crafted and enjoyable, Horseback have yet to really bring anything new to the post-metal table. I found the mileage I got out of this album to be inconsistent; sometimes I put it on and found myself engaged and taken by the grandiose songs, whereas other times I found myself wishing that there was something more original here. Perhaps most of all I think that this is a very promising start for Horseback, and I'm looking forward to see if they can solidify their place among the already established bands in this genre. However, if you consider yourself an post-metal-stoner-Americana enthusiast, this is definitely an album to check out.

Monday, February 14, 2011

aesahaettr - aesahaettr (2010)

Aesahaettr - The Sundering Blade of Bolvangar by speedglueandmusic_aw
Aesahaettr - The Fury of the Panserbjorn by speedglueandmusic_aw

Black metal comes in a lot of different flavors.  There's the raw, evil sound of early black metallers, all harshness and aggression.  Or the slower, more melancholy style pioneered by Burzum, furthered by Weakling, and propagated by about a million modern black metal bands.  There's industrial black metal, false & hard-rocking black metal, lo-fi & experimental black metal, shoegaze black metal ("depressive rock"), 8-bit black metal, wooden black metal, epic war black metal, folk black metal, noise black metal, orchestral black metal, etc etc etc ad infintum.  It can get overwhelming, and so its something of a relief that Aesahaettr, a new one man black metal project from Montreal, doesn't add anything new to this pantheon of black metal offshoots- in fact, this is almost exactly what I would call the textbook definition of modern black metal.  This is not a bad thing, because Aesahaettr do by-the-book black metal right.  Side A of this, Aesahaettr's self-titled demo cassette, features black metal in the driving, upbeat, riffing style, all fast picking and programmed drums.  I like the sound of drum machines and I like drum machines in black metal, so that was one thing that appealed off the bat.  But what I am truly a sucker for (and what I think is the primary thing that sets Aesahaettr apart from other like-minded bands) is hooky, empowering riffs, and Aesahaettr brings some real fist-pumping-head-banging moments on Side A.  I have to admit that I do feel somewhat conflicted about this, as black metal is meant to be dissonant, misanthropic, isolating, and basically the opposite of "catchy".  But I guess that's why I'll never have trve grim kvlt black metal cred, and instead will spend my time listening to music that claims to be evil, yet sounds like the sort of speed metal used to soundtrack a Mega Man game. Side B of this tape fulfills Aesahaettr's obligation to the other main style of modern black metal, the Wolves in the Throne Room back-to-nature epic that takes at least 15 minutes and requires strings and live recordings of the outdoors- and Aesahaettr succeed in pulling this off.  Basically, if you crave something new and different from contemporary black metal, look elsewhere.  But while this may be more of the same, its more of the same done really well and should appeal to fans of meat-and-potatoes black metal.

Tuesday, February 1, 2011

burzum - fallen (2011)

Burzum - Enhver Til Sitt by speedglueandmusic_aw
Burzum - Til Hel Og Tilbake Igjen by speedglueandmusic_aw

Proving that the Norwegian prison system works, Burzum has now released his second post-prison album, and has not yet been caught committing any hate crimes.  His first post-prison work, Belus, surprised me with its focus and intensity, and exceeded my low expectations by far (and ended up at the #1 spot on my best of 2010 metal albums list).  I had no idea he'd follow Belus up so quickly, but nevertheless I tentatively hoped Fallen would match the quality of it's predecessor.  It definitely succeeds in doing so- if you liked Belus then you will likely be happy with this.  It mostly follows the template set forth on Belus, but this time Varg spends a little more time crooning than before, and several of the songs feature a martial, mid-tempo near-motorik beat (as on "Enhver Til Sitt") that brings a hypnotic groove the record.  While most of the album follows a particular formula, "Til Hel Og Tilbake Igjen" ends the album on an odd and spacey note- definitely weird in a good way, but hopefully not an indication that Varg is itching to get relive his ambient days.  The biggest fault this album has is the thin production; I thought that Belus sounded thin but figured it might just be low-quality mp3s.  Fallen also has a pretty wispy sound, but I found that turning the bass up on my sound system and listening to this at a higher volume improved the experience.  Varg definitely seems to found a new sound that suits him well- if he keeps putting out albums of this quality, this period of his career may be regarded as highly as the Filosofem era.

Sunday, January 30, 2011

Kvelertak - Kvelertak (2010)

Kvelertak - Ulvetid by speedglueandmusic_aw
Kvelertak - Mjød by speedglueandmusic_aw
RIYL: Turbonegro, Satyricon

What's an easy way to piss off a black metal fan?   Tell them this was your favorite black metal album of 2010 (it wasn't my favorite, but I did decide to throw this into my top 10 at the last second).  Heck, just the fact that I picked "metal - black" as the label for this entry seems debatable at the very least.  If you haven't heard this yet, its basically an amalgamation of current-era Satyricon (somewhat) and Turbonegro (mostly): that is to say, major-label friendly black metal and cheesy modern hard rock that Scandinavians seem to love for reasons unknown to me.  This album certainly caused its share of controversy when it came out last year; for some people, it was the funnest, hard-rockin'-est, black-metallin' riff-fest album of the year.  Or so I hear anyway, because really all I ever saw were metal blogs saying "DAMMIT STOP TALKING ABOUT THIS SHITTY ALBUM".  As it so happens though, I like current-era Satyricon and Turbonegro, so I think this album is pretty fun.  I think this album would sound good in a bar, or when driving a car really fast.  Or driving a car really fast to/from a bar.  I can say that it doesn't really suit me as well when I am sitting in front of my computer listening to it, as you undoubtedly are (unless you are in a car or a bar and reading this- how are you doing that??).  So anyway, if you think black metal is VERY VERY SERIOUS AND ALSO TRUE AND ALSO BLEAK you will probably HATE this and I won't blame you for that.  If, however, you like "riffs" and don't really care if some bros from Sweden or wherever these guys are from are co-opting black metal sounds for their bro-rock fest, you might enjoy this.  I guess the question is, can you enjoy music even if the people behind it are total douches?  If you like black metal, isn't the answer to that pretty obvious?  If you CAN get behind this concept, this album is pretty fun, although the songwriting is not terribly strong- most songs have inspired moments and then a lot of filler.  But I'm always in favor of things that sound new and different, and I'd say this is a pretty good sound.

Tuesday, December 21, 2010

2010: my favorite metal albums!

Here's part one of my best of 2010 lists, and frankly I think that this year was AMAZING for music- there was just so, so much good stuff that came out and it was impossible to stay on top of it all.  This is definitely true for metal, and when reading other people's year end lists, I was overwhelmed by how much I had missed!  So I'm not saying that these are the written-in-stone BEST metal albums of the year, but just the ones I like the most out of what I managed to hear!



read the rest!



ALBUMS I LIKED, but didn't have enough time to review to put on the list, or didn't like strongly enough to put on the list (in no particular order) 2010:

Shining - Blackjazz
Sigh - Scenes from Hell
Ludicra - The Tenant
Agalloch - Marrow of the Spirit
Alcest - Écailles de Lune
The Body - All the Waters of the Earth Shall Turn to Blood
Bongripper - Satan Worshipping Doom
Dark Tranquillity - We Are the Void
Deathspell Omega - Paracletus
Deivos - Gospel of Maggots
Nutr - Unholy Inscriptions on A Tainted Wall
Skagos - Skagos/Panopticon Split
Panopticon - Skagos/Panopticon Split
Decrepit Birth - Polarity
The Secret - Solve Et Coagula
Thou - Summit
Triptykon - Eparistera Daimones
Wrath of the Weak - Solace

MOST DISAPPOINTING ALBUMS THAT SHOULD HAVE RULED BUT DIDN'T FOR SOME CRAPPY REASON, 2010:

High on Fire - Snakes for the Divine
Harvey Milk - A Small Turn of Human Kindness
Daughters - S/T
Kylesa - Spiral Shadow

BEST ALBUMS OF 2010 BY WHICH I MEAN MY FAVORITES AND THE ONES I FOUND THE MOST INTERESTING:


9. Kvelertak - s/t
This has been making a bunch of journalist's best-of lists, and a lot of bloggers' and fans' worst-of lists.  Sure, Kvelertak's blend of hardcore-influenced rock with black metal flourishes is glossy and hard to take seriously, but if you accept it for what it is then this album is pretty fun.  This is to metal what Taco Bell is to Mexican food, but once in a while I like to get some Taco Bell, you know?

8. Nachtmystium - Addicts: Black Meddle pt II
I thought this album was pretty bad the first time I heard it, and I didn't think much better of it the second, or third, or fourth, or fifth time I listened to it.... Even though I think that (kind of like Kvelertak!) Nachtmystium are a little too hard-rock and not sufficiently kvlt, I kept listening to this album over and over again.  I'm still not sure it's a good album but its got some kind of hook in me.

 7. Triptykon - Shatter
It's a little weird that I picked the Triptykon EP instead of the full-length album it accompanies, but to be honest I didn't even realize there was a full-length until a few weeks ago, and I haven't had the mental space to sit down and process it yet.  Actually, when I first heard this EP, I had no idea it was the new project from Celtic Frost's Tom G Warrior, and was impressed at what a fully-formed sound this new band had.  In retrospect its less impressive since this is basically "Tom G Warrior's NEW Celtic Frost", but at least he had the decency to do it under a new name.  There's a lot of silly gothiness going on here, but there is also some really convincingly evil vocals and an amazingly crushing guitar sound.  I dig it.

 6. Culted - Of Death & Ritual
Like Triptykon, newcomers Culted bridge the gap between doom and black metal, and much like Triptykon, the results are pure, awful evilness.  I found the last track on this four-song EP to be pretty terrible, but other than that, this has a wonderfully vile atmosphere to it and I'm eager to see what this band does next.

5. Trap Them - Filth Rations
Nearly half of the releases on this list are EPs- I guess I had a short attention span this year.  Or maybe, I just appreciate when a band manages to get the point done in an efficient manner.  Trap Them don't waste any time on this EP, delivering vicious metal influenced hardcore in a Converge style.  

 4. Vit - -
This was a latecomer to my best-of list, sneaking in at the very end.  I don't really know anything about this band, but they weave disparate sounds into their epic black metal in a way that I really enjoy.  There's some post-rock going on, some weirdly warm and friendly guitar sounds, some back-porch banjo playing, yet it always somehow works.   "Ascention Ritual" is a strong contender for my favorite metal track of this year.

 3. Krieg - The Isolationist
This album definitely snuck up on me- at first I didn't think much of it, but its just a really solid black metal album.  It doesn't really inspire me to say much about it, but I sure do enjoy listening to it.

 2. Hayaino Daisuki - Invincible Gate Mind of the Infernal Fire Hell- or- Did You Mean Hawaii Daisuki?
No other metal release this year had as much energy as this one did.  This gets my fists pumping and head banging everytime. 

 1. Burzum - Belus
Did anyone think that Burzum would ever be relevant again?  I definitely did not, but this is a testament to the fact that no matter how despicable he may be as a person, Burzum is definitely one of pillars of black metal.

Wednesday, November 17, 2010

krieg - the isolationist (2010)


Although Krieg have been around in various forms since 1995, their newest album The Isolationist was my first experience listening to them.  All I knew going in to this record was that I'd heard of the band here and there, knew there was a connection to black metal supergroup Twilight (who I actually haven't listened to yet), but never really felt compelled to seek this band out.  I guess I'd never really seen or heard anyone declaring that Krieg was really good and important and I need to check them out, so I just never did.  Upon listen to this, my first impression was that this was yr standard epic, sorrowful black metal; extremely well produced, and at times very compelling, but nothing that special.  But quickly this album started getting... weirder.  Not really obviously weird, not avant-garde experimental techno black metal with toy pianos or anything, but more like strange winding and dissonant chords, guitarless passages of reversed drums and wordless howls, a voracious static that devours all other sounds, or an unnaturally frantic quickening of the pace at the very end of a song.  This is still pretty traditional black metal, but well-executed, and the occasional strangeness sets it above being just middle-of-the-road.  When things really coalesce for Krieg, and I would say they do more often than not, this rivals the best black metal of the year (BURZUM).  But there are enough moments too where things drag on just a little too long..... and I start zoning out.  I admit that I tend to gravitate towards less orthodox styles of black metal, but although this album doesn't take too many risks, it nevertheless stands out among this years' black metal releases.

Thursday, October 21, 2010

sarcófago - rotting (1989)

RIYL: Obituary, Possessed, Bulldozer

Brazil's Sarcófago are best known for being Brazil's first great metal band, and are frequently given credit for being the originators of the modern style of corpse paint. Their first album, INRI, is a fantastic (if comparatively straight-forward) thrash album, but I prefer their second album, Rotting. On this album, Sarcófago stretch their sound out- remember when I was talking about Bulldozer and metal bands that exist in between thrash, death and black metal? This album is firmly in that camp. What makes this album stand out however is the attention to songwriting beyond just all-out thrashing; Metallica would be a could comparison if Metallica were 1,000 times more pissed off and evil. "Alcoholic Coma" starts off as a raging speed metal song, but halfway through it slows down to sinister death metal riffage, before picking up again. The longer song lengths reflect the fact that Sarcófago are attempting something more progressive than their earlier work, but they still fit in a shorter full-speed thrash track in the form of "Sex, Drinks and Metal", which brings some life to the tail end of the album after some longer cuts. The fact that the album is only six tracks (one of which is the intro) and barely over half an hour long makes this feel like a glorified EP, but the band definitely manage to create something unique on this album.

Saturday, March 13, 2010

burzum - belus (2010)


Let's just get the inconvenient fact that Varg Vikernes is not just a convicted murderer and arsonist, but perhaps as bad (or worse), an open and unrepentant racist, out of the way.  Yes these things are true, and yes if you need to like or agree with the musicians you listen to you may want to avoid this.  I've spent a lot of time trying to decide whether its "morally ok" to listen to this and other even more vehemently racist music without coming to a conclusion about how I feel about it.  But as fellow SP&M writer RAWIII remarked to me after I spent hours discussing the moral conflict of listening to NSBM on a car trip from LA to SF, "Eh.... I'm tired of talking about Nazis."  So ignoring all of the baggage that comes with this, how is the album?  Actually... it's way, way better than I was expecting it to be.  In fact it's easily one of the best black metal albums I've heard in awhile.  While it lacks the atmospheric and haunting keyboard melodies that made Burzum one of the all-time greats in the genre, the guitar work is incredible and aggressive and creates an entirely different vibe from older Burzum work- unlike the meandering dirges of Filosofem, the songs on Belus sound focused and driven.  It's still unmistakeably the product of the same artist, but going in a new direction.  I hadn't heard anything good about the work Varg had produced since going to jail, and since this is his first album in eleven years, I wasn't expecting much- my expectations were definitely exceeded and then some.

Friday, February 19, 2010

true grim kult indie folk

"Are you going to Scarborough Fair?"
I have to admit I was a little skeptical about this news.  This "Marissa Nadler" character doesn't SOUND like she would be a very grim or frost-bitten musician, but I had never heard her before, so I decided to check her out and determine how metal she is.
....So, not really evil in the least.  But not bad either, kinda nice dark folk.  And who can blame lonely Xasthur for wanting to work with the pretty girl?  Still, it seems like an unlikely pairing.  Fortunately, through the use of technology, I have been able to predict with 99.666% accuracy what this collaboration will sound like:

Say, that's pretty evil, actually!  On his blog, Xasthur describes Nadler as "Ambient Atmospheric Shoe Gaze Acid-Folk", and then hilariously tries to claim "I’m not very concerned with labeling genres".  Yeah right dude, then why did you just make up a totally complicated genre name?  And that brings us to what is by far the most interesting aspect of all of this: Xasthur has a BLOG.  There is nothing funnier than trying to be evil while simultaneously being hosted by blogspot.  His black and purple design is pretty good, though.  I love his profile pic and that his occupation is listed as "Lounge Act".  Want to know what Xasthur's interests are?
"Winter, Rivers, Snow, Rain, Tree, Cold, Silence, Nowhere, Hate, Emptiness..., Destroying music"
Awwww thanks for sharing with us!  But don't expect that Xasthur will follow you on Twitter! "I do not (and will not) use myspace, facebook, twitter or anything like that. This is it!".  Right, because facebook is NOT METAL (but blogger is).  Doesn't this guy know that most evil and kult hosting services are angelfire and geocities (RIP)?  But I'm glad he's got a blog, because I've been pronouncing his name wrong all this time:

"After all these years I thought I'd give the proper pronunciation of Xasthur, at least in my world. There are a couple different ways:
* Zas-ter (rhyming with disaster)
* Zas-toor or Zas-tour * The H is silent in both"

So like, you could say "your attempt maintain your evil image while blogging is a total disxasthur". Ayyyyyyoooooooooo

Thursday, December 10, 2009

liturgy - renihilation (2009)

Listening to Renihilation, the 2009 release from NY black metal band Liturgy, is similar to the very first moment after you've jumped into a freezing lake: the nerves in every inch of your body are screaming at you, your lungs have contracted from the shock and cold, and you feel as though you are being suffocated.  The album opens with Gregorian chanting in "Untitled", the first of four such quasi-ambient interludes on the album- without the strategic placing of these, I suspect I would pass out from the blood rushing to my head.  From the first notes of the next track, "Pagan Dawn", the pace is set for the rest of the tracks on the album: unrelenting, pummeling, frantic, overwhelming black metal that seemingly defies the laws of entropy that starts out at maximum intensity and yet inexplicably intensifies with every second.  This is, however, not the same type of relentless energy summoned by darker, more misanthropic BM artists such as Anaal Nathrakh or 1349.  Instead, it is more melodic and mournful, akin to the sound of contemporaries Krallice and Wolves in the Throne Room.  Or for a non-black metal reference, recall the most epic, explosive moments of Godspeed! You Black Emperor or Mogwai or Explosions in the Sky, stripped of of the build-up and held in that moment when your limbs feel electric and you want to literally, physically explode.  It isn't simply the pace at which the drums and guitars are played (faster than the speed of light, if you are curious); the production, too, adds to the all-encompassing sound of this album.  This isn't a tinny, lo-fi BM album; the production is clean and expansive.  Yet every inch of that expanse is full of sound, everything maxed out, everything happening at once.  It seems as though, while this album plays, the only physical space that exists is that between your speakers and yourself.  If you are a fan of BM, check this album out.  Take a deep breath first.

Friday, October 2, 2009

haust - ride the relapse (2008)

This band calls to my mind a specific emotion, or perhaps a state of mind, that I'm not sure there is a word for. The closest match might be "frenzy"- a sort of unhinged, panicked rage. On Ride the Relapse, the debut album from this Norwegian band, this frenzy is expressed as crunchy, nihilistic hardcore punk. It's a particularly heavy and metallic take on hardcore, sounding somewhat like a stripped-down version of Converge. It also straddles the line between punk and black metal- the riffs wouldn't sound out of place on one of the new Darkthrone albums, and it's really only the restrained drumming that prevents this from crossing over into actual black metal. Matching the aggressive mania of the music, singer Vebjørn Guttormsgaard Mølleberg shrieks and raves about white trash, drugs, Oslo and whatever else manages to catch his hate. It's an excellent debut and perfect listening for when you put on headphones to drown out all the human waste in the world.

Haust - White Trash Extravaganza
Haust - Ugly Fucking Oslo

Monday, August 31, 2009

absu - absu (2009)

I'll be upfront- this is the first and only album I've heard by Absu, a Texan death-metal band that was formed in the late 80's/early 90's. So I can't really consider this album from the perspective of their back catalog, or tell you how they've grown as a band. I can say, however, that this is a great, complex, thrash-y blackened death metal album with occult, Lovecraftian & Sumerian/Mesopotamian themes. Make sense? No, not really to me, neither. When I first heard this album I wasn't quite sure how to categorize it- I was under the impression it was a black metal record, and it does sometimes veer close to the thrash-y black metal made by Darkthrone and other more stripped-down black metal acts. But despite some black metal flourishes, this is actually progressive death metal, filled with hook-y riffs, odd tempos, and intricate song structures. The band uses a variety of sounds, in addition to the shredding guitars and relentless drums: synthesizers, ceremonial Tibetan horn, "brake disc" (?), Greek horn, and vibraslap are all present as well. In a sense, Absu reminds me of Dødheimsgard, in that both bands are releasing confidently complex-yet-accessible albums, late into their respective careers. While the songs on "Absu" take abrupt turns, sometimes winding around at breakneck speeds only to suddenly morph into an over-the-top synthesizer solo, it never feels half-assed. I certainly never had the impression that the band didn't know exactly what they were doing, or being unnecessarily intricate for the sake of intricacy itself. Don't get me wrong, this is proggy as hell. But it's also immediately approachable. Proscriptor McGovern, the drummer/lyricist/vocalist, has put in time with like-minded Middle-Eastern-influenced death metal outfit Melechesh, and has ties as well to The Firstborn, so if you've heard either of those bands, it might give you an idea what Absu are about. But even if you haven't heard those other bands, as long as you enjoy varied, well-written and interesting death metal, you're likely to enjoy this. Definitely one of the best metal albums I've heard this year- I'm interested too in checking out their last album, "Tara", which came out in 2001.

Absu - Between the Absu of Eridu and Erech
Absu - Amy

Wednesday, May 6, 2009

dødheimsgard - supervillain outcast (2007)


Although they started out as a black metal band in 1994, by the release of Supervillain Outcast in 2006, Dødheimsgard (or DHG) had morphed into something very strange and hard to label. A good point of comparison might be Ministry, given the predominance of dancey industrial tempos. But instead of starting out as a pop group and morphing into a metal band, Dødheimsgard took the opposite path. That's not to say that this is pop- its still very much metal- but its really, really strange metal. Blastbeats, harsh vocals and down-tuned guitars are present, but in odd time signatures and joined by electronic squeals and occasional choral singing. Songs lurch from point to point, thrashing at one time, grooving at another. I get the sense that the band has a fairly healthy sense of humor- the name of the record alone indicates so. I also get the feeling of confidence that older, technically experienced bands have- despite the oddness of the record, it doesn't sound like they had any doubt about what they were creating. That fact becomes even more impressive when you consider that the last album they released before this one had come out seven years prior. I don't know if "true" metalheads care for this one much, but personally I think this is one of the best and most unique metal albums I've heard in the last few years.

Dødheimsgard - The Snuff Dreams Are Made Of
Dødheimsgard - Apocalypticism

Monday, March 16, 2009

von - satanic blood (1992)

since everyone's favorite satanic nazi murderer is set to be released from prison, I thought I would take the opportunity to talk some black metal. I settled on this album because one, if you know about it you get hella metal cred, two, the band is from san francisco, and three, this album is ridiculous!! funny enough though, and I didn't even realize this until after I started the review.....
....yep, thats cuddly Count Grishnackh himself wearing a Von t-shirt at his murder trial! this review was meant to be. so what kind of black metal is the preferred choice of those who enjoy burning churches and killing their friends? if you guessed "pretty messed up and evil", you would be right! Von are considered (rightly or not, I'm not sure) to be the first American black metal band, and very influencial on the second wave of black metal in Europe (also, the band Watain is named after a Von song). this is their only album (released in 1992), and the recording is exceptionally lo-fi, even by black metal standards. this sounds like it was recorded over a telephone and onto a crappy tape deck. and the music is really, really primitive and single-minded- just relentlessly hammered drums and repeated, simplistic riffs topped with growled messages of satan and.... satan. I'll be honest, when I first heard this, I was not that into it. I thought it was not dynamic enough, too repetitive, too simplistic. but that's because I was stupid, since those facts are exactly what makes this album mind-destroyingly awesome.

Von - Watain
Von - Satanic Blood

Thursday, March 12, 2009

lifelover - pulver (2006)

Lifelover - Karlek- Becksvart Melankoli
Lifelover - Nackskott

Lifelover
Stockholm, Sweden
Pulver (GoatawaRex)
http://www.lifelover.se
RIYL: Joyless, Amesoeurs

this is the first album by one of my favorite bands, Lifelover. they are pretty hard to catergorize- they come pretty strongly from a black metal direction, but their music also includes elements of goth, shoegaze, maybe like mid-90's indie shit, movie samples, found sound... it all comes together into what I guess some people (or at least someone on wikipedia) call "depressive rock". still, that's a good description- i've spent plenty of late-late-late nights jamming this stuff before the sun rises. its interesting to me that metal has assimilated all different sorts of music, yet black metal remains pretty formulaic (ignoring bands like Xexyz or Sigh or Dodheimsgard...wait, maybe this isn't a good point). well at any rate, black metal and pop don't cross over too often- Lifelover, Amesoeurs, Alcest, Joyless and Woods of Infinity are I think all of the black metal/pop bands (it should be noted that, I believe, three of those bands are or have connections to the guitar player Neige). in this case, while the music is pretty poppy and catchy, the songs can also be dirge-y and formless. the end result is something very compelling, easy to listen to, and yet it never really takes shape. the fact that the songs are interrupted and chopped up (with dialogue, children's songs, and more) makes the music seem particularly unhinged. one final note, this album is different from the band's subsequent albums Erotik and Konkurs in that they are still using a drum machine, as well as the fact that this album is relatively more "black metal"- giving it a more violent mood than the following albums, as if the band hadn't yet been entirely crushed by depression.

Lifelover - Nackscott
Lifelover - Karlek-Becksvart Melankoli