macabre - sinister slaughter (1993)

RIYL: Pungent Stench, Acid Bath

I was lucky enough to pick up this album on cassette at Amoeba on Saturday, and it was easily the find I was most stoked about.  A death metal concept album about serial killers?  It's so obvious, you know someone had to do it.  Lucky for all of us, the band that took that concept and ran with it is Macabre, and they RULE.  The three hillbilly-type fellas surrounded by murderers in the paean to "Sgt Pepper" above, these guys from Chicago crafted metal that is not only nasty and ugly and worthy of the subject material, but also pretty funny, too.  Each song on "Sinister Slaughter" tells the story of a different killer, and may or may not include: crunchy down-tuned shredding, blast beats, children's sing-song melodies, virtuoso acoustic guitar playing, guttural bellowing AND ridiculously high pitched singing (think Beaker from the Muppets), and in the song above, toy piano playing.  If you like "weird" death metal and have a fucked up sense of humor, get this!!!

dead horse - horsecore: an unrelated story that's time consuming (1989)

RIYL: Death, Atheist, Country Teasers

In 1989, thrash and death metal bands like Atheist, Death and Pestilence were still figuring out how to incorporate jazz rhythms and intense technicality into what would become progressive death metal; in Houston, far from the national hotbeds of thrash and death, Dead Horse recorded an album that was wildly ahead of its time.  Although certainly less well known than the aforementioned bands, Horsecore: An Unrelated Story That's Time Consuming demonstrates that (at least, in '89) Dead Horse were every bit their equals.  Sure, there is the intense riffing and frantic drumming you'd expect on a thrash album, but this album displays more of an interest in complex songwriting and unusual musical styles than many other thrash albums.  The lyrics, too, are interesting, often in a socially conscious vein: on the country-thrashing "Hank", singer Michael Haaga (sounding a bit like a cross between John Darnielle and Steve Albini) sneeringly describes the type of "family man, down right American" he loathes.  "Mindless Zombies" decries the children of Nazis.  "Bewah" deals with.... wait, I think that song is about beer, actually.  Finally, this album is not just technically complex and boldly adventurous in structure, it's also surprisingly well recorded- everything on it sounds crisp and clear.  Frankly, nothing has come close to sounding like this album since its release, and if it had come out today, it would still be considered ground-breaking.

#100!

YEAH POST 100!!!!  Thank you everyone who reads our bullshit here.  We love you all sincerely....and in the creepiest way you can imagine.  Please continue to read the blog, we always have new things planned!  PS- you rule!